When the Nazis took control of Krakow, newly appointed
Governor General Hans Frank declared that Krakow would become the most
“racially pure” city in all of Europe and expunged all but 15,000 Jews from the
city. These remaining individuals were
forced from their homes into to the Jewish Ghetto located in the industrial
area on the other side of the river, far enough away to keep the rest of the
population “clean and safe”. One of the
notable residents was Roman Polanski who recounted his experiences there many
years later.
When all of the Jews had been moved to the Ghetto, a wall
was erected around it. In a symbolically
cruel gesture, the wall was designed in the shape of tombstones…and the construction
began right at the start of Passover, a time when the Jewish community
celebrates their liberation from slavery in Egypt.
In the 1990s, however, Steven Spielberg filmed Schindler’s List
in the Quarter, bringing new attention and life to the area. Tourists came from all around the world to reflect
and learn more, helping it to re-emerge as a bustling, bohemian neighbourhood
full of historical sites and atmosphere.
The Jewish Quarter was easily our favourite area of Krakow, with
quaint houses and uneven streets, innovative (and vegetarian!) restaurants and
an overwhelming feeling of warmth and authenticity.
And we are not alone. Many believe that Kazimierz is the European
city that conveys the most genuine sense of what pre-war Jewish and Polish life
was like, with synagogues and Jewish cemeteries still intact and houses similar
to what would have existed before the Nazis invaded.
While in the Jewish Quarter, we did our best to embrace
Jewish culture, eating at many Jewish-inspired restaurants and listening to a
live Klezmer performance, which was haunting yet warm and much more enjoyable
than we had anticipated. But in the back
of our mind, we knew this district wasn’t completely authentic – of the 60,000-80,000
Jews living in the city before the War, there are now only 700 that remain, far
smaller than the Quarter can accommodate and making the tragedy feel even more
real.
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